Coming soon:

Chat - Inferno (Interrobang) at HAU4, Berlin, Germany

Semikrasky/Daises (Directed by Veronika Risnovska) at Pakt, Bratislava, Slovakia

Friend Simulator, September 2021, Hamburger Sprechwerk, Hamburg, Germany

Zwei Freunde finden sich auf einmal auf der anderen Seite des Bildschirms in dem Computerspiel FRIEND SIMULATOR. Um das Spiel zu besiegen und nach Hause zurückzukehren, müssen sie zusammen die ultimative Freundschaft erschaffen. Aber was ist Freundschaft?!? Müssen sich Freunde immer helfen? Bin ich auch eine gute Freundin, wenn ich nicht immer soviel in meine Freundschaft investiere wie der andere? Was ist das Wichtigste an einer Freundschaft? Es wird ein Wettlauf gegen die Uhr. Zusammen mit ihrem Publikum lösen die beiden Freunde Rätsel, sortieren Gedanken, sammeln Geschichten über Freundschaft und gestalten neue Avatare, um es rechtzeitig durch die verschiedenen Levels des Spiels zu schaffen.

Forms of Perversion on Stage, August 2020, Miesto M, Bratislava, Slovakia

Merchant's Contract, May 2019, Performance Factory, Berlin, Germany

Jelinek’s Merchant’s Contract speaks of the financial crisis in Europe. With the postdramatic approach we tied Jelinek’s narrative into a story of the abduction of Europa, questioning the role of Europe from its mythical beginning, contemplating values Europe is founded on, capitalism and celebrating the imaginary fall of the European rule.

This production was originally going to be called "52 Ways of Sex on Stage", but in the process it turned out to be not quite about sex. Later it was to be called: "Can I Watch?" and it ended up being called something completely different.

Inspired by the work of Slavoj Žižek
Concept and direction by: Adam Dragun
Dramaturgy: Veronika Risnovska
Performed by: Viktória Šuplátová, Peter Ondrejička
Light Design: Veronika Risnovska

Regie/Konzept: Julia Hart
Von und mit: Kristina Bremer und Johannes Nehlsen
Ausstattung: Iris Holstein
Musik: Daniel Huss
Choreografische Mitarbeit: Yasmin Calvert
Medienpädagogik: Christiane Schwinge
Dramaturgie: Florian Weigel
Produktionsleitung: Kaja Jakstat/ Zwei Eulen
Assistenz: Veronika Risnovska

Finn and the End of German Drama, December 2019, Performance Factory, Berlin, Germany

Finn and the End Of German Drama is a collage of texts by Sasha Maria Saltzmann, Dea Loher, Elfriede Jelinek and my own thoughts on German Drama of the 21st century, my occasional frustrations when dealing with the traditonal and problematic notion of Regietheater and my role as a director. My frustrations about lack of creativity, missing people that are far away, not knowing where to put the love for them, feeling like I often forget them, especially when concerned with my artistic work in Germany.

By: Sasha Maria Saltzmann, Dea Loher, Elfriede Jelinek and Veronika Risnovska
Directed by: Veronika Risnovska
Performed by: Nathalie Gonashvili

By: Elfriede Jelinek
Director: Veronika Risnovska
Performers: Brenna O'Brien, Julia Eifert, Juno Hobs
Technical support: Yibin Wang

Jenny, May 2020 Performance Factory Zoom Edition, Berlin, Germany

Jenny is an online piece inspired by Brecht's Threepenny Opera. For the piece together with the actresses we analyse the character of Jenny in the play and her decisions which we then tie back to modern understanding of sex workers and patriarchy the way we experience it.

The play also speaks of Brecht's relationship to women in his life and authorship.

By: Veronika Risnovska

Inspired by: Bertolt Brecht

Together with: Natalie Gonashvilli, Romane-Camille Borgeaud and Teresa Trauttmansdorff-Weinsberg

Music by: Julian Thielman

*click on the picture to watch